Eight years after its release, Ek Villain finally got a sequel. Ek Villain Returns is a marked improvement over the original.
The sequel begins with a shocking attack at a party. A man disguised with a smiley-face mask tosses revelers about the apartment in search of his target: an up-and-coming singer named Aarvi (Tara Sutaria). She records the moment he finally finds her on her phone, pleading with him by name: “Gautam.” But is that really who’s behind the mask?
Flashing back six months, we learn that Gautam (Arjun Kapoor) is the spoiled son of a wealthy man. Gautam wants to win at all costs, and he sees boosting Aarvi’s career as a way to do so. Their unscrupulous partnership leads to a romance that fractures when Gautam betrays Aarvi.
The last person to speak with Aarvi before the party attack is a driver for a ride share service named Bhairav (John Abraham). Bhairav — who is also a part-time zookeeper at a zoo that clearly lacks professional accreditation — is questioned by the police and released, but of course there’s more to his story.
Bhairav gets his own six-month flashback to him stalking a woman named Rasika (Disha Patani) who works in clothing store. She works on commission, so she’s happy enough to have a reliable customer, and they do form something of a friendship. Because he has no romantic or sexual experience, he thinks they’re in love.
Like its predecessor, Ek Villain Returns is about toxic masculinity. Whereas Ek Villain faltered by implying that there were things that women could have done to prevent being murdered by a misogynistic killer, Ek Villain Returns is clearer in affirming that women are autonomous beings who can make their own choices and need not be perfect. They also need not return the affection of any man who gives it to them, and that prioritizing men’s feelings over women’s is unfair and dangerous.
By establishing all of the characters as flawed, those who are capable of growing are given space to do so. Gautam and Aarvi are arrogant and unethical, but not beyond redemption. Rasika is a bit flippant, but she’s seen mostly through the lens of Bhairav’s perception of her — and it’s hard to trust that his perception of her is accurate, since he wants something from her. One of Bhairav’s problems is that he’s only interested in one side of a given story, and he assumes the worst of every woman he encounters.
Here’s the thing about Bhairav: if you’re going to have a character who can’t get a date despite having the face and body of John Abraham, he’s got to be much more socially awkward or creepy than the movie makes him out to be. (Also, there’s a nineteen-year age difference between Abraham and Patani. Ew.)
The issues with Bhairav are mostly a case of filmmaker Mohit Suri wanting to have his cake and eat it, too. He needs Bhairav to be a dangerous incel, but he wants steamy scenes between Abraham and Patani as well. We get the steamy scenes at the expense of Bhairav being as weird as he should’ve been.
That said, all of the actors understand what’s being asked of them and get the job done. Patani and Abraham are sexy. Kapoor and Sutaria have a more playful romance and share a great rapport. This is a couple I’d like to see paired up again in the future.
Overall, Ek Villain Returns knows what kind of movie it wants to be and gets things mostly right. And it represents a big step up from the film that spawned it.