Tag Archives: Sumit Kaul

Movie Review: Afwaah (2023)

3 Stars (out of 4)

A bystander’s good deed puts him in danger in the smart political thriller Afwaah (“Rumor“).

Politician Gyaan Singh runs the town of Sawalpur in Rajasthan. Singh’s daughter Nivi (Bhumi Pednekar) is engaged to her dad’s presumed successor, Vicky Bana (Sumeet Vyas), who has national political ambitions. Sawalpur has avoided inter-religious conflict thus far, but Vicky uses a scuffle at a rally in the Muslim part of town as an excuse for a show of force. His goons beat residents, and Vicky himself is captured on camera giving instructions to his lackey Chandan (Sharib Hashmi), who drags a Muslim butcher into a shuttered shop. The butcher is later found dead.

The melee is more than just a headache for the party. Nivi wants no part of Vicky’s violence, and she runs off while her father is in the hospital. Vicky sends his goons to track her down.

They catch Nivi in the town square right as advertising executive Rahab Ahmed (Nawazuddin Siddiqui) is passing through in his Range Rover. He’s on his way from his dad’s house in a village nearby to his wife’s book launch at an historic fort a couple of hours away. Rahab stops when he sees Vicky’s men grab Nivi, and soon the two are fleeing in his car with Vicky’s henchmen in pursuit.

Afwaah takes a comprehensive view of the way political power is exercised through violence and misinformation. When Vicky employs violence at the rally as a display of authority, he unleashes a force into the world that will grow and soon be out of his control. He doesn’t understand that, but Nivi and her dad do. With an army of eager thugs at his disposal and a police inspector Tomar (Sumit Kaul) on the payroll, Vicky thinks he’s untouchable.

That also makes him hypersensitive to being perceived as weak. Nivi’s flight looks bad for Vicky, as does video of him and his cronies harassing her and Rahab. That’s where misinformation comes in. Vicky’s communications guy proposes flipping the video’s narrative to make it appear as though Vicky was trying to save Nivi from being kidnapped by Rahab in an act of “#lovejihad.” Just like violence, Vicky sees bigotry as an expedient tool but doesn’t understand the danger it poses, even to him.

With such loaded themes to explore, Afwaah is very plot-dense. Add to that subplots about a botched assassination attempt on Chandan and Inspector Tomar’s romantic affair with a subordinate officer, and character development takes a backseat. Siddiqui and Pednekar give workmanlike performances, but the movie is more about getting Rahab and Nivi from Point A to Point B. The cast does the job that’s asked, even when that means letting the message command most of the spotlight.

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Movie Review: Bumboo (2012)

1 Star (out of 4)

Buy the DVD at Amazon

The English translation of the Hindi slang word “bumboo” is “a mess.” Bumboo is an apt title for this movie, but not in the way the filmmakers intended it.

Bumboo is based on L’emmerdeur, a French comedy from 1973 that spawned a French remake in 2008. The premise is intriguing: an assassin’s stakeout is interrupted by the heartbroken, suicidal man staying in the hotel room next door.

While the premise is good, the film itself is not. Bumboo relies on my least favorite comedy gimmicks to try to generate laughs. Characters run around frantically, tripping over each other in order to get close enough to slap each other. Fart jokes abound. None of it is funny.

Sharat Saxena plays an assassin named Mangal Singh. The sharpshooter positions himself in a hotel room hours before a notorious embezzler is due arrive at court, where he plans to name his accomplices. Mangal’s room offers him a clear shot at the courthouse steps.

The hotel room adjoining Mangal’s has a good, but slightly less clear shot of the steps, and it’s occupied by a newspaper photographer, Suresh Sudhakar (Kavin Dave). However, Suresh is too distracted by despair over his failed marriage to care about his job.

Suresh tries to kill himself in his room, but nosy bellhop Vincent Gomes (Sanjai Mishra) saves him. By virtue of residing in the adjoining room, Mangal is deputized by the bellhop to be Suresh’s caretaker. The assassin’s mission is further compromised when Suresh’s ex, her new boyfriend, and the crooks who hired Mangal show up at the hotel.

Characters scream most of their dialog, even though the bulk of the scenes take place in two small hotel rooms connected by an interior door. Writer-director Jagdish Rajpurohit seems to equate volume with humor.

As a result of the all-screaming-all-the-time system of dialog delivery, the acting is overdone. Sharat Saxena has a bit of charisma as the stymied assassin, but not enough to make up for his constant bellowing. Kavin Dave as the heartbroken photographer is almost as annoying as Mandy Takhar, who plays Suresh’s ex-wife, Pinky.

The irritating side characters who exist solely to complicate Mangal’s assassination attempt — such as the bellhop and Pinky’s idiotic new flame, Dr. Souza (Sumit Kaul) — add nothing to the film. But the worst side character of all is the flatulent crook Manu Gupta (Sudhr Pande). Scenes of his transport to the courthouse incorporate all manner of bodily functions and disgust more than they amuse. Why?

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