Tag Archives: Nayanthara

Movie Review: Test (2025)

2 Stars (out of 4)

Watch Test on Netflix

The Netflix Original Tamil movie Test has an identity problem. Trim 45 minutes, and you’ve got a taut thriller film. Add 90 minutes, and you get a dramatic series about complex characters. As it is, the movie is poorly paced and bloated with material that doesn’t square with the characters’ actions.

At the center of the story is Arjun (Siddharth), a professional cricketer whose career is coming to an end. He’s not ready for that, but he’s in a slump. The national team tries to force him into retirement just before a big match in Chennai against Pakistan, but Arjun leverages his stardom to buy time. Still, he knows this is likely his last hurrah.

Arjun doesn’t know who he is without cricket, but he’s got a life waiting for him in retirement. He and his wife Padma (Meera Jasmine) have an elementary-school-aged son Adi (Lirish Rahav) who’s desperate for his father’s attention.

When Adi struggles at school, it’s not his parents who comfort him but his teacher, Kumudha (Nayanthara). She’s a little too involved in her students’ lives, compensating for her struggle to have a baby of her own. She’s also a childhood friend of Arjun’s, though he ignores her.

While Kumudha focuses on her fertility issues, her husband Saravanan (R Madhavan) tries to find an investor for his hydrogen fuel cell invention. He’s been lying to Kumudha about having a job running a canteen, and now he’s in debt to loan sharks. If he could just secure a contract with the government, he believes all his problems would be solved — he can finally be the next Steve Jobs.

The three main characters have problems they’re trying to address individually, but it takes a very long time before the main conflict at the heart of the narrative is revealed. The inciting incident doesn’t happen until the movie is halfway over, at which point the tone shifts from low-key relationship drama into thriller territory.

Despite the long buildup, there’s little to justify why things happen the way they do. The marketing for Test bills it as a story about choices, but the choices the characters make don’t always follow from what we’ve been shown about them. I suppose the question producer-turned director S. Sashikanth is asking is what one would do when a golden opportunity presents itself. Based on what he’s shown of the characters, the answer is: not what the characters do.

For a movie with such an all-star cast, the acting is kind of flat. R Madhavan gets to chew some scenery, but it’s a long time before he does. Siddharth plays Arjun as so self-focused that he shuts out the audience as much as the people around him. Other than one tear-filled sequence, Nayanthara’s Kumudha is pretty one-note.

The standout performer is Meera Jasmine, who makes her return to Tamil cinema after more than a decade. She plays Padma as her family’s pillar of strength, the one holding everything and everyone together. It’s not a flashy performance, but it feels right for the character. Also, kudos to little Lirish Rahav, who plays Adi as a bit of a brat, but for understandable reasons.

Had Test been structured as a series, there would have been more time to show gradual character evolution — and to better integrate a subplot about the police following the loan sharks. On the flip side, shortening the film’s runtime would have added urgency to the story and made the stakes clearer earlier. As it is, Test is watchable but forgettable.

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Movie Review: Jawan (2023)

3.5 Stars (out of 4)

When successful Tamil-film director Atlee decided to make his first Hindi movie, he went straight to the top of the Bollywood food chain and nabbed Shah Rukh Khan as his star. The resultant action-fest Jawan (“Soldier“) is a novel treat for fans of Hindi cinema.

Jawan‘s gorgeously shot introductory sequence sets the tone for the film. A man’s body floats down a river near a village along India’s border with China. He’s so severely injured that the local healer wraps him entirely in bandages, like a mummy. Months later, as the man lays comatose, Chinese troops stage a nighttime raid on the village, brutally slaughtering men, women, and children. As the healer prays to god to send them aid, the man (Shah Rukh Khan) awakens and kills all the Chinese troops.

From this sequence, we learn that this is intended to be a larger-than-life story not strictly grounded in realism. It’s also very bloody and violent. It introduces recurring themes like government indifference to the suffering of its citizens and a subsequent need for vigilante justice.

The story jumps thirty years into the future as a band of six women and another man whose head is wrapped in bandages (also Khan) hijack a Mumbai Metro train. One of the passengers is the daughter of crooked businessman Kalee Gaikwad (Vijay Sethupathi), and the hijackers demand a large ransom from him. They use that money to pay the debts of 700,000 impoverished farmers, earning the respect of both the hijacked passengers and the general public.

The hijackers escape and return to their hideout: a women’s prison where the now-unbandaged man, Azad, is the warden. Because of its zero recidivism rate and emphasis on social welfare projects, Azad and the inmates win an international award. Cue a prison dance number!

If all this seems wild, well, it is. A ton of stuff happens across multiple timelines featuring a huge cast of characters. And I haven’t even touched on Azad’s matchmaking subplot, the cop Narmada (Nayanthara) who’s out to nab the hijackers, and an extended flashback starring Deepika Padukone.

Yet because of the terms laid out in Jawan‘s opening, none of this seems “too much.” Or maybe it’s “too much” in a good way. All these plot points are punctuated by exciting fights and chase scenes and a number of entertaining dance numbers. Atlee puts the pedal to the floor at the beginning and never lets up. There isn’t a boring moment in Jawan.

[Side note: I watched the “Extended Cut” of Jawan on Netflix, which is only one minute longer than the version released in theaters, as far as I can tell. The story is so dense as is that it doesn’t feel like it needs anything else, except for perhaps more backstory for all of Azad’s accomplices.]

Khan is thoroughly enjoyable in his multiple avatars and looks like he’s having fun while treating the material sincerely. Nayanthara and the women in Azad’s crew — including Sanya Malhotra — give nice performances in their supporting roles.

Padukone’s extended cameo appearance is a delightful surprise. Hers is the film’s most emotional subplot, and it’s enhanced not just by her steady acting but by some terrific music as well.

If there’s a weak point in Jawan, it’s Sethupathi’s turn as the villain. Sethupathi seems distant from the material and doesn’t make Kalee Gaikwad as menacing an adversary as Azad and company deserve.

But Jawan is bigger than any individual performance. It’s understandable that regular lead performers like Malhotra and Sunil Grover (who plays Narmada’s assistant Irani) would be willing to take small supporting roles to participate in such an epic story. Atlee and Shah Rukh Khan swung for the fences and hit a home run with Jawan.

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