If you read my review, you know I have a lot of problems with Ki and Ka. It wasn’t the humorous exploration of gender roles promised in the trailer, but rather a disorganized reinforcement of Bollywood tropes that favor men at the expense of women.
Given how non-progressive writer-director R. Balki’s movie is, I wanted to know how Ki and Ka compares to an older film about spouses swapping traditional gender roles: 1983’s Mr. Mom, written by John Hughes and directed by Stan Dragoti. Note: spoilers for both movies follow.
Though the two movies differ markedly in their general setups, they do share some very specific details in common — leading one to believe that Balki has at least seen Mr. Mom, even if he didn’t quite get the point of it. Both movies feature wives who work in advertising, both of whom earn promotions when they create campaigns offering discounts on food products traditionally purchased by women. In both movies, the stay-at-home husband plays cards with neighborhood housewives and leads them in an exercise program.
In Mr. Mom, Jack (Michael Keaton) is an automotive engineer who gets laid off from his job. He takes over the care of the house and the family’s three children when his wife Caroline (Teri Garr) finds a marketing job.
Jack assumes that being a homemaker will be easy compared to engineering, only to discover just how much he doesn’t know. He struggles with everyday chores and his own sense of self-worth, now that he’s not the breadwinner. Caroline explains that what carried her through her eight years as a stay-at-home mom was a sense of pride in a job well done, whether it’s a task as simple as cleaning the kitchen or as complex as raising good kids.
Mr. Mom is an out-and-out comedy, and a very funny one at that. Jack’s struggles are played for laughs, especially in the hilarious sequence featuring an overloaded washing machine, three home repair people, and a runaway vacuum nicknamed “Jaws.”
That sequence highlights what is probably the root problem in Ki and Ka. For all of the lip-service Kabir (Arjun Kapoor) pays to the difficulty and nobility of housework, he never struggles with it. It’s not hard for him.
Kabir has no more previous experience taking care of a house than Jack does. Kabir grew up wealthy, presumably with servants in addition to his own mother to run the family mansion. We know that he earned an MBA, but after that, he makes no mention of having done anything like studying cooking or home maintenance. As far as we are shown, Kabir is just a 28-year-old jobless guy living in his childhood bedroom until he marries Kia (Kareena Kapoor Khan).
When he actually becomes Kia’s househusband, he does so with no problems. On their first morning together, he clears the clutter, gets himself ready, and makes breakfast all before Kia and her mom (Swaroop Sampat) wake up. When he botches their morning coffee, the joke is on the women, not him.
Kabir is then free to redecorate the family apartment as the train depot of his childhood dreams (removing all trace of Kia and her mom from the decor in the process, by the way). After folding laundry and cooking, his time is his own, freeing him to shop for clothes with his new lady friends.
Unlike Jack in Mr. Mom, Kabir does little household cleaning. Kia’s longtime maid handles the dirty work. Even during the narrative’s short-lived budget crisis plot point, Kabir deems the maid’s services essential, even though her salary is one of the couple’s biggest monthly expenses. Why is she essential? They only live in a two bedroom apartment, with no kids. How hard is that to keep clean?
It’s harder to tell an insightful story about gender roles when the main characters are upper class. They keep a maid because they can afford to, allowing Kabir the time to become a celebrity icon of social progress while still making it home to cook dinner.
Because Kabir is rich — and always has been — he never pays a price for his unusual lifestyle choice. Wealthy people live by different rules than the rest of us anyway, so how is his experience analogous to anyone who’s not an elite? What social price would Kabir and Kia have to pay if she were the ad firm’s receptionist rather than an executive? Sure, Kabir’s dad doesn’t approve, but Kabir has already disinherited himself and written his dad off as the stick-in-the-mud he is.
Ki and Ka makes it seem as if being a homemaker is so easy anyone can do it, disregarding the social, emotional, and practical challenges of the job. Even though Mr. Mom is more than thirty years old, it’s more insightful as to what being a stay-at-home spouse entails — and it’s a lot more entertaining, too. You can buy or rent Mr. Mom at Amazon or iTunes.
