There’s only one problem. Kites composer Rajesh Roshan didn’t write it.
I don’t mean Roshan may have accidentally used a melody that he’d heard somewhere before. I mean he took an entire song, pretty much note for note, from another movie’s soundtrack.
As I wrote in my review of the film, “[t]he song is identical in melody, key, and instrumentation to ‘Aniron (Theme for Aragorn and Arwen),’ written by Enya for The Lord of the Rings: The Fellowship of the Ring.” However, Enya is not properly attributed as the composer anywhere in the film’s credits (source: IMDb).
Maybe there’s not a lot of overlap between fans of Hindi films and fantasy geeks like me, and Roshan figured he wouldn’t get caught. Fellowship didn’t even make a million dollars during its run in India (source: Box Office Mojo). Or perhaps Roshan was just being brazen, and he didn’t care if anyone found out.
In either case, he can’t claim sole credit for Kites‘ music.
Update: I’ve heard that it may not be Roshan who’s responsible for appropriating Enya’s song. It may be Salim-Sulaiman, a pair of brothers who composed some of the background music for Kites.
The opening monologue of Kites explains that, while a kite looks free as it soars in the sky, there’s always someone back on earth holding the string. So it is with the two star-crossed lovers in this Hindi-English-Spanish action-romance.
Hrithik Roshan plays J, a part-time dance instructor living in Las Vegas. When he’s low on cash, he charges $1000 to serve as a temporary husband for women seeking American green cards.
J catches his big break when one of his dance students, Gina (Kangana Ranaut), falls in love with him. She’s desperate and socially awkward, but she’s also the daughter of a wealthy casino owner. J decides to date Gina for her money, and he’s welcomed into the family in time for Gina’s brother’s wedding.
The brother, Tony (Nicholas Brown), is a thug who likes to smack around his Mexican fiancée, Natasha (Barbara Mori). J recognizes Natasha as a former green card-seeking client. He married her when she was using her real name, Linda. She doesn’t speak English, but J determines that Natasha/Linda is also trying to marry into the family for money. The two exchange longing looks behind the backs of their respective partners.
The night before Natasha’s wedding to Tony, the abuse becomes too much for J to take. He and Natasha knock Tony out and flee to Mexico. As soon as Tony wakes up, he pursues them.
The story is told in a series of flashbacks, beginning with J tumbling, bleeding and unconscious, from a freight car. Critical plot points — such as how J wound up in the freight car — are shown through multiple flashbacks from different perspectives, with more information revealed each time. It’s done with great attention to continuity and makes for an interesting storytelling style.
Roshan and Mori are a perfect romantic duo. They make their gold-digging characters charming and relatable. They’re not motivated by greed, but by a desire to escape poverty. Their love story is moving, culminating in a beautiful scene to end the movie.
The car chase sequences are exciting and well-executed. Producer Rakesh Roshan (Hrithik’s father) clearly spent the money to make the action sequences look top-notch.
I have two main problems with Kites. Nicholas Brown, who plays Tony, seems to have been hired primarily for his ability to speak Spanish. His clunky, amateurish acting doesn’t measure up to the performances by Roshan and Mori.
In his defense, he isn’t given much to work with. Most of Tony’s dialogue consists of restating the same thing in different ways: “Where is he? You said he would be here, and he’s not here. The room is empty. Where is he?” It would be hard for any actor to sell such filler material.
What bothered me most about Kites is a problem of apparent intellectual property theft. The score, attributed to composer Rajesh Roshan (Rakesh’s brother and Hrithik’s uncle), is dominated by J & Natasha’s love theme — a song not included on the official soundtrack. The song is identical in melody, key, and instrumentation to “Aniron (Theme for Aragorn and Arwen),” written by Enya for The Lord of the Rings: The Fellowship of the Ring. The only difference is that the Kites song isn’t sung in Elvish. Click the links below to compare for yourself: