Tag Archives: Amitabh Bachchan

Opening January 29: Rann and Ishqiya

Two new Hindi movies open in the Chicago area on Friday, January 29, 2010. Rann (“Battle”) is director Ram Gopal Varma’s fictional exposé of corporate media corruption, starring Amitabh Bachchan and Ritesh Deshmukh.

Rann opens this Friday at Big Cinemas Golf Glen 5 in Niles and AMC South Barrington 30 in South Barrington. It has a listed runtime of 2 hrs. 25 min.

This weekend’s other new movie is Ishqiya, starring Vidya Balan as an alluring widow and Arshad Warsi and Naseeruddin Shah as the two thieves who fall in love with her.

Ishqiya opens on Friday at the Golf Glen 5.

Salman Khan’s Veer enters its second week in area theaters after earning $334,562 in the U.S. in its opening weekend. The movie carries over at the Golf Glen 5, South Barrington 30 and AMC Cantera 30 in Warrenville.

The super hit 3 Idiots sticks around for an amazing sixth week, having already earned $6,294,393 in U.S. theaters. It continues to run at the Golf Glen 5, South Barrington 30, Cantera 30 and AMC Loews Pipers Alley 4 in Chicago.

Chance Pe Dance leaves theaters after two weeks, having earned a disappointing $164,188 total in the U.S.

Other Indian films in Chicago area theaters this weekend include the Telugu movies Adurs and Namo Venkatesha at the Golf Glen 5, and Goa (Tamil) and Palery Manickyam (Malayalam) at Sathyam Cinemas in Downers Grove.

Movie Review: Aladin (2009)

AladinPoster3 Stars (out of 4)

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There aren’t many kid-friendly Bollywood movies released in the United States, and those that have opened here, like Saawariya and Roadside Romeo, have disappointed. Aladin is a delightful update of the classic fairytale that will amuse the whole family.

In this live action version of the story — which differs significantly from the animated Disney film — Aladin (Ritesh Deshmukh) is a lonely college student. His parents died under mysterious circumstances when he was young, and he lives alone in the book-littered home of his deceased grandfather. Fellow students tease him because of his name, demanding that he produce a genie from a lamp like the fairytale dictates.

Aladin’s crush on Jasmine (Jacqueline Fernandez), an American exchange student, appears destined to go unrequited until she buys him a lamp from the “Ancient Thing Store” as a birthday gift. He’s goaded into rubbing the lamp which, naturally, contains a genie.

The genie, named Genius (Amitabh Bachchan) is close to retirement and is eager for Aladin to use his three wishes before his genie contract gets renewed for another million years. The duo sets about trying to woo Jasmine on Aladin’s behalf. But Genius doesn’t know that Aladin is in danger from an evil ex-genie named Ring Master (Sanjay Dutt), who’s eager to regain his powers and take over the world.

One of Aladin‘s best features is that it looks terrific. The fictional town of Khwaish is a perfect fantasy city: narrow cobblestoned streets that wind uphill through buildings made of sand-colored bricks. Dance numbers are colorful and the special effects are relatively seamless.

As for the characters and plot, writer-director-producer Sujoy Ghosh keeps the story true to tradition, while giving it his own spin. Deshmukh does a great job as Aladin, a likable guy with such simple desires that he’s incapable of misusing his new-found power.

Ring Master is also a fitting villain. His motives are clear, and he’s got a group of creepy circus-inspired henchmen to help him, including a lion tamer, a firebreather and, inexplicably, a Star Trek Klingon.

The writing in Aladin is solid, especially for a Bollywood comedy (see my review of Deshmukh’s other recent film, Do Knot Disturb). Several scenes are laugh-out-loud funny, and there are no extraneous plot threads or characters.

For parents of children who don’t understand Hindi, Aladin is a good introduction to movies with English subtitles, even if it is long at 2 hrs. 12 min. The story is familiar, so all that’s required is that the child be old enough to read English with some speed: third or fourth grade, perhaps. There’s no objectionable material, and no “gross” kissing (this is Bollywood, after all).

One note to parents who themselves aren’t familiar with Bollywood films: it’s worth telling kids that Amitabh Bachchan, who plays the genie, is one of the coolest guys in Indian cinema. He was an action star when he was younger and has always been a lady’s man. It’s the only way to explain why a man old enough to be a grandfather is rapping about “shorties.”

Movie Review: Sarkar Raj (2008)

Zero Stars (out of 4)

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The considerable acting talents of Bollywood’s royal family, the Bachchans (Abhishek, wife Aishwarya Rai, and father Amitabh), are wasted in Sarkar Raj, a sequel to the 2005 gangster flick Sarkar. Absent a compelling script, director Ram Gopal Varma has to alert the audience when anything of even minor significance happens, using absurdly dramatic music and close-up shots of the actors’ most mundane reactions. Varma’s homage to The Godfather is as subtle as a horse head in your bed.

This review originally appeared in The Naperville Sun on June 12, 2008

Movie Review: Bhoothnath (2008)

2 Stars (out of 4)

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Part supernatural family comedy and part melodrama, Bhoothnath unsuccessfully tries to appeal to everyone. In the amusing first half, a young boy named Banku befriends a ghost named Nath, played by Bollywood legend Amitabh Bachchan. A schoolyard showdown reminiscent of Michael Jackson’s “Beat It” video is particularly entertaining. The second half drags, as the ghost’s backstory becomes a bizarre parable warning adult children of the dire consequences of moving away from their childhood homes.

No Rating; 136 minutes

This review originally appeared in The Naperville Sun on May 15, 2008

Movie Review: God Tussi Great Ho (2008)

1.5 Stars (out of 4)

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Writer-director Rumi Jaffery’s attempt to recreate the success of Bruce Almighty with a Bollywood-style remake of the film falls flat. In God Tussi Great Ho, AP (Salman Khan) blames God (Amitabh Bachchan) for his failing career and girl troubles, so he’s granted divine powers to see if he can do a better job running the world. The characters are unappealing, and Jaffery coaxes hokey performances out of the actors who portray them. This one won’t get a sequel.

No Rating (violence); 152 minutes