OK Jaanu (“OK, Darling“) is a straightforward, contemporary romance. No twists, just two attractive people falling in love. The movie works because it knows what it is.
OK Jaanu is a Hindi remake of the 2015 Tamil film OK Kanmani (which I haven’t seen), and from what I understand, it’s pretty faithful to the original. OK Jaanu‘s director, Shaad Ali, got his start as an assistant director under Mani Ratnam, who directed OK Kanmani.
The Hindi version stars Aditya Roy Kapur as video game designer Adi and Shraddha Kapoor as Tara, an architect. At a mutual friend’s wedding, they discover a shared disdain for marriage. They both have plans to leave India in short order: Tara to Paris to continue her architectural studies, and Adi to the United States to “give Zuckerberg a run for his money.”
Allow me a nerdy digression. Mark Zuckerberg is the creator of Facebook, but he’s not a game designer. It would’ve been more accurate for Adi to say he was heading to America to become the next Mark Cerny or Will Wright. (Yes, I know how geeky I sound.)
Adi’s flirty friendship with Tara blooms into a full-blown love affair, though they refuse to utter the word “love”–since their romance must end once they expatriate. The sequence leading up to the consummation of their relationship is very sexy without showing much skin, other than a brief glimpse of Kapur’s shirtless back. The camera pans around the bedroom, letting the sounds of a thunderstorm and A.R. Rahman’s stirring score fill the audience’s imagination.
Adi’s and Tara’s belief that their fling is temporary and free of emotional strings is met with a collective, “We’ll see about that,” by the elder members of their social circle. Their landlord, Gopi (Naseeruddin Shah), recognizes in them the same fondness he and his wife, Charu (Leela Samson), shared in their younger days. As Gopi cares for Charu as her Alzheimer’s progresses, Adi and Tara see a depth of love that they might experience if they were willing to commit to each other.
The main characters’ family situations are a bit confusing, which is unfortunate given that those relationships exist in the story to explain why Adi and Tara are both so biased against marriage. At other times, scene transitions fail to clarify where the characters are geographically.
The lead actors are pretty good, and Kapur’s smile is a killer. However, the characters themselves never really won me over, despite multiple “Having Fun!” montages of the duo and their friends standing in moving convertibles or driving a moped through a cafe. Adi’s and Tara’s first conversation is over cell phones during the middle of a church service, which seems more rude than charming.
Where OK Jaanu redeems itself is in showcasing characters who are open and unapologetic about their sexual desires, all within a narrative that is strongly pro-monogamy. It’s a nice blend of modern and traditional.