Taare Zameen Par, India’s official entry into the Oscars’ Best Foreign Language Film category, wasn’t chosen as one of the final five nominees. I’m not surprised. By selecting Aamir Khan’s domestically popular film about dyslexia, India’s selection board passed on two other films that would’ve had a better chance at being nominated by the overwhelmingly American Academy.
The problem with Taare Zameen Par is that it’s not as socially or emotionally relevant to audiences in the United States as it is to audiences in India. While the film may have drawn much needed attention to the disservice still being done to students with learning disabilities in the Indian educational system, public schools in the U.S. have been offering customized learning opportunities for special needs students for decades.
As a product of the U.S. public school system, I recognized little Ishaan’s reading disability within the first thirty minutes of the movie. I then had to wait another hour before any of the characters in the movie did. I imagine many of the Academy voters watching Taare Zameen Par were as frustrated by the slow pace as I was.
Considering the cultural background of the Academy Award voters who nominate movies in the Best Foreign Language Film category, here are my suggestions for two films that would’ve had a better chance of earning a nomination:
Jodhaa Akbar — A beautiful epic with gorgeous music, this seemed like the most obvious choice to represent India, especially since director Ashutosh Gowariker’s equally accessible Lagaan was nominated in 2002.
Black & White — This might’ve been the boldest movie to come out of India in 2008. Its sensitive handling of the issue of Islamic terrorism would’ve given Academy members an opportunity to show that Americans have a more nuanced understanding of terrorism than the “destroy the evildoers” mentality that our government has exhibited for most of this decade.