While trying to piece together my thoughts for this review of Street Dancer 3D, I looked back at my reviews of the two films that precede it in director Remo D’Souza’s dance battle series: ABCD and ABCD 2. (Disney produced the first two films in the series and held onto the rights to the title ABCD 3 even after they stopped making movies in India.) Most of the things I want to write about Street Dancer 3D I’ve already said about the previous two movies. Great dancing? Check. Sexy performers? Check. Only Street Dancer 3D is more of a mess than either of the films preceding it.
D’Souza’s series features many of the same actors in all three films, and some in just two. None of them play the same characters, even if the actors play characters with the same name. The cast stays intact while D’Souza hits the reset button on the story.
This time around, two rival dance crews face off on the streets of London. The Indian-British crew “Street Dancer” is led by Sahej (Varun Dhawan), and the Pakistani-British crew “Rule Breakers” is led by Inayat (Shraddha Kapoor).
The endless bickering between the crews culminates in a food fight between the groups while they watch an India vs. Pakistan cricket match in a sports bar run by Ram Prasad (Prabhu Deva). The single stupidest thing in this whole movie may be that the main food used in the fight is that famous staple served as a main entrée at all sports bars… The one dish no Buffalo Wild Wings or Irish football pub should be without… Doughnuts? I’m talking regular yeast-raised, frosted, mass-produced, buy-’em-at-Dunkin’-by-the-dozen doughnuts like the one pictured to the right. I’m guessing the only reason the characters throw doughnuts is because they are cheap to buy, simple to procure in large quantities, and easier to clean up than burgers, pasta, or biryani — all of which Ram Prasad’s sports bar also serves.
Both crews want to compete in an underground dance competition with a £100,000 cash prize, but their odds aren’t good against the formidable, mostly-white London dance crew The Royals. Ram Prasad thinks the Desi crews would stand a chance if they worked together, but there are complicating factors beyond the groups’ nationalistic antipathy. Inayat wants to use the prize money to help homeless illegal immigrants from the Subcontinent living in London — which is a problem because Sahej is a human trafficker.
The film doesn’t fully acknowledge how awful Varun Dhawan’s character is. This was a problem with his character in ABCD 2 as well. Sahej is entitled and compassionless. He brings a quartet of Indian drummers to England, but refuses to help them in even a small way when he learns that they are now destitute. It takes him forever to admit that he played a part in their current condition, let alone that he is obligated to set things right.
This is but one example of Sahej’s disloyalty. As soon as he gets the chance to join The Royals, he jumps at it — abandoning Street Dancer and the members that aren’t invited into the colonizers’ crew. The whole reason Sahej participated in human trafficking was to earn the money to buy a studio for Street Dancer, the crew founded by his older brother Inder (Punit Pathak, who gives the film’s best dramatic performance) who is injured and can no longer dance. The film doesn’t acknowledge what a betrayal this is because Sahej’s vindication and victory are predetermined.
Films are often sold based on the popularity of their star cast, but I wish we could go back to the days of the original ABCD, which starred professional dancers who can act, not professional actors who can dance. To be fair, Kapoor holds her own on the dance floor and makes Inayat as sympathetic as the script allows. But casting Dhawan required compromises that hurt the movie. Because of Dhawan’s likeable persona, his character pays a very small price for causing a lot of harm.
Worse still is that Dhawan is the weakest dancer in the film. He’s one of the better dancers among Bollywood’s current leading men, but he’s a step slower and less crisp in his movements than the professionals around him. I found myself ignoring him and focusing instead on series veterans like Dharmesh Yelande, Sushant Pujari, Raghav Juyal, and Salman Yusuff Khan. Nora Fatehi — who plays The Royals’ ace, Mia — is riveting when she dances.
As expected, the dance numbers are the stars of the show. All of the performances during the underground competition are technically impressive and large in scale. I don’t blame anyone watching the film for tuning out during the plot bits and just watching the choreography. Yet it’s kind of a shame, since Street Dancer 3D really wants to be about something meaningful. It’s just not willing to put in the work to do so.
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