Tag Archives: Priyanshu Chatterjee

Movie Review: 12th Fail (2023)

2 Stars (out of 4)

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Even though 12th Fail is based on the life of a real person, the film feels abstracted from its main character. The story contains a number of obstacles that can trip up viewers unfamiliar with the hiring processes of the Indian civil service.

Vikrant Massey plays Manoj Kumar Sharma, who grew up in a poor, rural village but studied and sacrificed to become a member of the Indian Police Service (IPS). Obviously, the movie doesn’t need to explain what the IPS is to Indian viewers, but it’s not made clear to outsiders how, say, an IPS officer differs from a DSP (Deputy Superintendent of Police). The film uses a lot of abbreviations that blur together for those not steeped in the shorthand.

The story begins in 1997 when Manoj is a teenager in Chambal. The area is known for its bandits, and the mayor runs the village on bribes and corruption. Newly transferred DSP Dushyant Singh (Priyanshu Chatterjee) arrests the school principal for encouraging students to cheat on their exams. Manoj is so inspired by the righteous DSP that he vows to study and become an IPS officer.

Even Manoj is surprised at just how labyrinthine the process to become an Indian civil servant is — and just how small the odds of success are. After passing high school, there are multiple exams: some multiple choice, some essay, including some in English. Students get four total attempts to pass the exams, and that’s it. If they pass their exams, they still have to clear a brutal final interview.

The process can take years to complete, which makes it hard for anyone who has to work while studying. Everyone who takes the tests pays for exam coaching, further weeding out many poor and working class applicants.

Manoj heads to the city of Gwailor to pursue coaching, only to be robbed before finding the coaching center shut down. He gets lucky when he meets Pritam Pandey (Anant V Joshi), another prospective student. Pritam’s family has money, so he takes Manoj with him to Delhi. The two stay friends even as Manoj works a series of low-wage jobs, studying into the wee hours of the night.

Writer-director Vidhu Vinod Chopra makes Pritam the narrator of Manoj’s story, which creates a distance between the audience and the main character. As the narrative proceeds, it becomes clear that the character Manoj portrays in the film is mostly a generic symbol of underprivileged test takers–and not an interesting character, himself. As Manoj’s lower caste friend Gauri (Anshumann Pushkar) says, “Even if one of us wins, the whole herd wins.” But if we don’t care about the one, it’s that much more difficult to be invested in the herd.

Despite featuring Manoj’s friends and eventual girlfriend Shraddha (Medha Shankar), it doesn’t feel like we get much insight into Manoj. He’s determination personified, but that’s about it. Massey’s performance in the lead role is solid.

In addition to the movie’s characterization issues, the studying and test-taking processes are shown in greater detail than is necessary, bogging down the pace.

The real Manoj’s accomplishments are inspirational, but 12th Fail itself is a bit dull.

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Movie Review: Baadshaho (2017)

1 Star (out of 4)

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Baadshaho (“Kings“) — the latest collaboration between director Milan Luthria and writer Rajat Arora — is a disaster. It’s like they forgot what story they were telling as the movie went on.

In Rajasthan in 1975, a slimy politician named Sanjeev (Priyanshu Chatterjee) uses the federally declared “state of emergency” as a pretext to loot the ancestral wealth of Rani Gitanjali (Ileana D’Cruz) in retaliation for her rebuffing his sexual advances years earlier. Sanjeev sends the army — led by an officer played by Denzil Smith — to retrieve a treasure trove of gold from Gitanjali’s estate, arresting her on pretext of hiding it from the government.

It’s worth noting for the sake of international viewers that the role and duties of royal families like Gitanjali’s isn’t explained, nor is the government’s claim over ancestral wealth. The details of the “state of emergency” aren’t explained either, so it’s not totally clear why the story had to be set in the 1970s. Then again, the costumes and sets are so generic that the only clue that the story isn’t set in modern times is that no one has cell phones.

From inside prison, Gitanjali reconnects with her former security guard and lover, Bhawani (Ajay Devgn), who takes seriously his vow to always protect her. She tasks him not with rescuing her from jail but with making sure that her fortune never makes it to Sanjeev in Delhi. Bhawani assembles a team that includes a safecracker named Tikla (Sanjay Mishra), a woman with an unknown debt to Gitanjali, Sanjana (Esha Gupta), and Dalia (Emraan Hashmi), whose contribution to the group is tacky temporary tattoos and repetitive stories. Bhawani and Dalia trade unfunny quips that perhaps didn’t survive the translation from Hindi to English.

The army’s plan is to drive the gold eight hours to Delhi in an armored truck that looks like a bank vault on wheels, with multiple combination locks right on the back door — a design that renders the plan’s covert nature moot. The supposedly high-tech truck — which can be “tracked by radio” — includes a bright red button that can be pushed in the event of an emergency, turning the truck into an impenetrable bunker for the span of six hours. Obviously, this button plays a huge part in the story, right? One of the thieves gets trapped inside and needs to be rescued or something? Nope. No one ever pushes the button.

Driving the truck is Officer Seher, played by buff Vidyut Jammwal. Jammwal’s character in Commando 2 was introduced with a closeup of the actor’s bicep. Upping the ante, Baadshaho introduces Seher in a train cabin wearing nothing but his underwear.

Because the plan is so straightforward — there’s literally one paved road in the region that can handle the weight of such a heavy truck — obstacles and subplots are manufactured in order to make the movie run longer than an hour. Seher waits four days before setting off for Delhi, conveniently giving the thieves time to plan. Sanjana is grossed out by Dalia one scene, only to fall in love with him in the next scene for no reason.

One of the main reasons to cast Jammwal is to take advantage of his athleticism and martial arts skills. All we get in Baadshaho is a chase scene in which Jammwal runs at about sixty-percent speed so as to not immediately overtake Hashmi. Fight scenes are poorly executed, with actors falling from punches thrown nowhere near them. Bad editing obscures the action, which is often just shots of the actors’ bodies blocking views of the fight. Jammwal’s performance is still the best thing about Baadshaho, but we don’t get to see enough of him doing his signature stunts.

Worst of all is the film’s ending. Without spoiling any specifics, the movie’s climactic fight suddenly stops. The survivors — now in an entirely different location — express relief that the fight is over. Credits roll. What happened to everyone else?! Who lives? Who dies? Is justice done, and for whom?

It’s not even just that things end suddenly. Luthria and Arora don’t bother to resolve the film’s inciting incidents. It’s as though they lost track of the plot threads and forgot who the bad guys are. Beyond being unsatisfying, it’s simply bizarre. Without any kind of meaningful conclusion, Baadshaho is a total waste.

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