Tag Archives: Jehan Handa

Movie Review: Aap Jaisa Koi (2025)

3 Stars (out of 4)

Watch Aap Jaisa Koi on Netflix

R. Madhavan and Fatima Sana Shaikh play two lonely singles on the bumpy road of love in the romantic comedy-drama Aap Jaisa Koi (“Someone Like You“). Despite a few hiccups, director Vivek Soni’s film is exactly the kind of movie Netflix India needs more of.

Madhavan stars as Shrirenu Tripathi, a high school Sanskrit teacher in Jamshedpur. A misguided attempt at courtship in his teenage years resulted in the target of Shri’s affections cursing him to be forever single — a curse that appears to have worked. Shri’s a 42-year-old virgin who’s been turned down by every woman who’s ever seen his matchmaking bio-data sheet.

When even Shri’s students — lead by class clown Rakesh (Sachin Kavetham) — start teasing him about his nonexistent love life, he takes action. Shri’s roommate and best friend Deepu (Namit Das) gets Shri on a sex chatting app, figuring Shri might be more confident over the phone than face-to-face. Shri talks to an unnamed woman who is charmed by his lack of guile. When she asks, “What’s your love language?” he replies, “Sanskrit.”

Days later, Shri’s brother’s neighbor Joy brings a marriage proposal for Shri. Joy’s 32-year-old niece Madhu Bose (Shaikh) is interested in him. She teaches French in Kolkata, she’s never been married, and she’s beautiful. She sounds too good to be true, but a covert investigation by Deepu and Rakesh turns up nothing scandalous. Shri and Madhu love spending time with each other and are quickly engaged.

To this point, Aap Jaisa Koi is a cute movie peppered with delightful song picturizations. It’s easy to enjoy and feels like a throwback to movies from decades ago. We know there has to be a problem to fix in the second half, but things are going so well, it’s not clear what the problem could be.

A conflict between Shri and Madhu reveals a problematic ideology simmering under the surface of the story. In his life, Shri is surrounded by men. His roommate is a guy, he teaches at an all-boys school, and his brother Bhanu (Manish Chaudhari) rules his household. Even though Shri adores his sister-in-law Kusum (Ayesha Raza Mishra) and his adult niece, he watches in silence as Bhanu routinely denigrates both women and forbids them from pursuing their passions.

Shri’s environment is nothing like Madhu’s house, where she lives with her doting grandmother, loving parents, and supportive aunts and uncles. It’s a shame that the film doesn’t afford Kusum any female friends, but she’s surrounded by plenty of open-minded well-wishers.

The main characters’ contrasting social spheres highlight the dangers of rigid gender separation. Shri has so little experience dealing with women he’s not related to that he doesn’t realize how he’s negatively influenced by the men around him. When he voices his concerns, it’s to the same men who believe women should be virgins before marriage and shouldn’t work outside the home.

Though Soni’s film — based on a screenplay by Radhika Anand and Jehan Handa — is message-driven, I’m not gonna complain when the message is: “Don’t be an incel.” To the story’s credit, the conflict resolves in an unexpected, yet believable way. Shri digs himself a deep hole, but the way he gets out is ultimately satisfying.

The story is helped by quality performances by the whole cast, especially the leads. Madhavan is always watchable, and he makes Shri a guy who’s unduly insecure. Shaikh is particularly good, conveying so much emotion with the slightest change of expression.

Aap Jaisa Koi draws on a long history of “woman teaches man not to be a dumbass” films, but it distinguishes itself through a refined blend of classic stylistic choices and modern relationship drama.

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Movie Review: Nadaaniyan (2025)

1 Star (out of 4)

Watch Nadaaniyan on Netflix

Producer Karan Johar serves up fresh talent in the stalest of offerings — the youthful romantic comedy Nadaaniyan (“Innocence“).

Sridevi’s youngest daughter Khushi Kapoor plays rich girl Pia Jaisingh, who’s in a rough spot as she starts her senior year at an elite Delhi boarding school. Her friends Sahira (Aaliyah Qureishi) and Rhea (Apoorva Makhija) are mad at her for ignoring them all summer and failing to disclose that Sahira’s crush Ayaan (Dev Agasteya) was sending flirty text messages. Pia’s solution? Invent a fake boyfriend.

Thankfully, hunky Arjun Mehta (Ibrahim Ali Khan, son of Saif Ali Khan) just transferred to the school. His dad Sanjay (Jugal Hansraj) is a doctor, and his mom Nandini (Dia Mirza) teaches at the school, making him essentially destitute, compared to his well-heeled classmates. Arjun agrees to pose as Pia’s boyfriend in exchange for money.

If this sounds like a knock-off version of Johar’s 2012 directorial Student of the Year — another star-kid launch vehicle — that’s because it mostly is. More accurately, Nadaaniyan feels cobbled together from material deemed not good enough for SOTY, left rotting on a shelf for more than a decade. For example, the school’s principal Mrs. Braganza Malhotra (Archana Puran Singh, reviving her character from 1998’s Kuch Kuch Hota Hai) comically misuses youthful slang, mistaking “LOL” as meaning “lots of love.” Arjun’s big plan to get rich after he spends a half-dozen years in law school and interning is to build an app.

It’s not just that the material feels dated. It feels like it was stitched together without a care for continuity or world-building. Arjun plans to get a college athletic scholarship for swimming, but we never see him compete as a swimmer. The whole plot revolves around his debate team captaincy. Does the school even have a swim team?

The only reason Arjun’s athleticism is even mentioned is as an excuse for Khan to show his abs, which is how he becomes debate team captain (no, I’m not joking). Focusing on Khan’s and Kapoor’s physiques isn’t in itself problematic, since they’re both twenty-four, but they are playing teenagers. The camera ogles both of them in swimwear in a scene that comes before Pia’s eighteenth birthday party. If they had been written as college students, it wouldn’t feel as gross.

Of course, Arjun’s fake relationship with Pia turns into something real, especially as he builds her confidence and encourages her to dream bigger than the stereotypical girl careers like fashion that her family is pushing for. Pia’s dysfunctional family includes mom Neelu (Mahima Chaudhry), dad Rajat (Suniel Shetty), and paternal grandfather Dhanraj (Barun Chanda). The Jaisingh men are salty that Neelu could never give them a son. Neelu beats herself up for it, Rajat cheats on her, and everyone makes Pia feel like nothing more than a pretty ornament. When tensions in the Jaisingh house finally boil over, it happens so explosively that it feels out of step with the frothy tone of the rest of the film.

With three films under her belt now, Kapoor still has much to learn, but she has potential. As in The Archies, she’s shown herself an attentive performer that plays well off of others. Khan’s future is less certain. He doesn’t feel fully engaged here, though director Shauna Gautam is also partially responsible for that. The weak screenplay by Riva Razdan Kapoor, Ishita Moitra, and Jehan Handa doesn’t give anyone much to work with.

The only people who come out of Nadaaniyan looking good are Mirza and Hansraj as Arjun’s parents. There’s a real tenderness in the way they deal with their angsty son and his friends. Too bad the movie wasn’t about them.

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