Tag Archives: Chhorii

Movie Review: Chhorii 2 (2025)

2 Stars (out of 4)

Watch Chhorii 2 on Amazon Prime

The followup to Amazon Prime Video’s 2021 folk horror flick Chhorii (“Girl“) doesn’t quite match the quality of the original. Chhorii 2 starts strong but meanders toward an unsatisfying conclusion.

Chhorii 2 takes place seven years after the events of the first film, which saw heavily pregnant Sakshi (Nushrratt Bharuccha) escape the clutches of her husband Rajbir (Saurabh Goyal) with the help of his former wife Rani (Pallavi Ajay). The two women now live together in a city, raising Rani’s daughter Ishani (Hardika Sharma) in a home owned by police inspector Samar (Gashmeer Mahajani).

Samar recounts the events of the first film and explains what happened immediately after. Rani and Sakshi walked to the police station where Samar worked. In order to protect Rani, Sakshi confessed to murdering Rajbir and his parents. When the women led Samar to the scene of the crime, the bodies were gone. Panicked Sakshi went into early labor, and Ishita was born. Samar’s sheltered them in his family home ever since.

One night, Ishita and Rani are kidnapped and taken to the fields surrounding Rajbir’s village. Sakshi and Samar follow, but Sakshi is nabbed, too, dragged into an underground complex of rooms accessible via wells in the field. The dry wells are evidence of the drought plaguing the village — a problem tribal leader Taau (Kuldeep Sareen) believes Ishita can fix.

The village worships an entity called Pradhan Ji that lives in a room at the bottom of one of the wells. He’s alternatively described as the deity responsible for the drought and the ancestor of the residents of the village, all of whom will die if Pradhan Ji does. The mythology at work is a little unclear. Taau’s solution is to get a new wife and servant for ancient Pradhan Ji, and Ishita is chosen even though she’s only seven years old.

The task of preparing the girl for the marriage ritual falls to Pradhan Ji’s current wife, Daasi Ma (Soha Ali Khan), whose very name means “servant.” In serving Pradhan Ji, Daasi Ma gained a few magical powers, including astral projection. Of course that comes at the expense of all of the other women and girls in the village, who live in subjugation to men if they aren’t killed right after birth.

The social justice message in Chhorii 2 is just as unmistakable as it was in Chhorii, yet writer-director Vishal Furia again closes his film with statistics about child marriage in India. If viewers can’t get the moral point from a story this unambiguous, they should stick to documentaries.

Even before the stats appear on screen, Chhorii 2 ends in disappointing fashion. In order to set up a third film — which is clearly Furia’s goal, even though one hasn’t been officially announced yet — Furia eschews a true cliffhanger and instead just cuts the story off mid-scene. It feels unfinished as-is, and it will be totally unsatisfying should a third film not materialize.

Chhorii 2 has the same creepy rural aesthetic that worked so well in the original movie, and the labyrinthine underground lair is unnerving. Sakshi’s navigation of the haunted maze is the film’s strongest sequence. The story becomes less compelling when it veers away from horror and into revenge territory. There’s little catharsis to be found when battling a misogynistic culture this violent.

Bharuccha again proves herself a capable lead performer. Khan doesn’t act with the same frequency she once did, so it’s fun to see her in this chilling role as the demonic bride. Little Hardika Sharma does a nice job, too.

Furia has built a compelling world for this franchise, and he’s taking a real gamble by not giving Chhorii 2 a distinct (if slightly ambiguous) ending. Here’s hoping it pays off and he gets to finish his story.

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Movie Review: Chhorii (2021)

3 Stars (out of 4)

Watch Chhorii on Amazon Prime

Chhorii (“Girl“) isn’t an out-and-out scare-fest, but rather a thoughtful exploration of the real threats faced by expectant mothers.

Nushrratt Bharuccha carries the film as Sakshi, a woman 8-months pregnant with her first child. She loves the kids she works with at her charity in the city, and she’s particularly keen to make sure girls are given the same opportunities as boys.

When thugs beat up her husband Hemant (Saurabh Goyal) for not paying back a loan, the couple’s driver Kajala (Rajesh Jais) offers to let them hide at his family’s home in a remote village until they can figure out a plan. This seems risky given Sakshi’s condition, but Kajala assures them that his wife Bhanno Devi (Mita Vashisht) will be there to help.

Kajala drops them off outside of a labyrinthine sugarcane field and tells them to follow the path to the house. When they find the house, Bhanno Devi is welcoming enough, but her conservatism — such as making Sakshi wait to eat until after Hemant and Kajala have finished dinner — puts modern Sakshi on the back foot.

Then there’s the fact that Hemant doesn’t advocate on her behalf in that situation. Add that to Hemant’s belief that taking Sakshi far away from her doctors to a place with no cell service is a smart idea, and it raises some red flags, at the very least regarding his situational awareness.

Sakshi gets comfortable enough with Bhanno Devi that she okays Hemant’s plan to return to the city for a few days to raise some funds. As soon as he leaves, things get weird. Bhanno Devi’s mute daughter-in-law Rani (Pallavi Ajay) shows up, bearing an angry scar across her abdomen from when she lost her own fetus. And three mischievous little boys appear to Sakshi, asking her to come play with them.

Bhanno Devi is awful to Rani and short with Sakshi when the pregnant woman brings up the three boys. The older woman only ever calls Sakshi “chhorii” (“girl”), and insists that Sakshi follow her rules without question. And don’t get Bhanno Devi started on her former sister-in-law, whom she refers to as a witch.

The supernatural aspects of Chhorii don’t take center stage until the second half of the film, but with good reason. Writer-director Vishal Furia’s story (co-written with Vishal Kapoor and based on their Marathi film Lapachhapi) emphasizes that there are a lot of threats to Sakshi’s well-being beyond ghosts and witches. As sad as it is, she can only be sure of her own devotion to the health of her unborn child. Her understandable mistake in following the judgment of Hemant and Kajala ceded a dangerous amount of control.

Sakshi makes for a satisfying horror heroine. She’s trusting, but not naive; curious, but not reckless. Bharuccha does a nice job in the lead role and plays beautifully off of the undercurrent of menace Vashisht laces into her performance as Bhanno Devi.

Chhorii is most compelling when it leans into its folktale roots. Bhanno Devi tells a parable about a crow in a poisoned tree that is as sad as it is chilling. It’s a little disappointing and unnecessary when Furia includes real-world stats on female infanticide at the end of the film. The moral of the story is already clear as can be.

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Streaming Video News: November 19, 2021

I updated my list of Bollywood movies on Netflix with today’s premier of the Hindi thriller Dhamaka, starring Kartik Aaryan. The latest Little Singham movie — Samundar Ka Sikandar — also dropped on Netflix today. These could be the last two Indian flicks added to Netflix for the rest of November, with Cobalt Blue not scheduled to arrive until December 3.

I also updated my list of Bollywood movies on Hulu with yesterday’s trio of new additions: Adbhutham (Telugu), Cash (Hindi), and Pon Manickavel (Tamil). Hulu has been importing older Hotstar content in other languages, and I’ll work on incorporating those titles into the page over the next couple of weeks.

In a surprise announcement yesterday, Disney (parent company of Hulu and Hotstar) announced that Hotstar will officially cease operation in the United States on November 30, 2021. This is a huge acceleration from the “late 2022” date that was originally announced back when Hotstar’s content was split between Hulu and ESPN+ back in September. By now, all Hotstar subscribers should have received an email offer — and several reminder emails — to upgrade to the Disney Bundle in order to maintain access to Hotstar’s content. I’m guessing this pre-ponement means that enough Hotstar subscribers have made the switch that Disney feels comfortable forcing the remaining holdouts to do so as well.

Finally, I updated my list of Bollywood movies on Amazon Prime with a few additions in an otherwise quiet week. Next week will be busier, with the debuts of the Telugu sequel Drushyam 2 on November 25 and the Hindi horror film Chhorii on the 26th.