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A centenarian father tries to loosen up his grumpy, geriatric son in 102 Not Out, a funny, poignant take on parent-child relationships.
102-year-old Dattatraya Vakharia (Amitabh Bachchan) announces to his 75-year-old son Babulal (Rishi Kapoor) his intention to become the world’s longest-lived man, breaking a record held by a Chinese man who lived to 118. Dattatraya claims that the current record holder said in an interview that “old, boring, unenthusiastic people are more injurious to health than cigarettes.”
That description fits Babulal to a tee. He’s cautious and cranky, and nothing makes him happy — a perfect foil to his fun-loving, curious father. Dattatraya believes the best way to protect his own health and beat the record is to remove Babulal’s negative influence from his life. Dattatraya hands Babulal a brochure for an old folks’ home and tells him to pack his bags.
When a flustered Babulal protests, Dattatraya offers him a way out. Babulal can stay if he agrees to perform a series of tasks determined by his father, designed to shake Babulal out of his routine. To make the agreement official, the tasks are logged and witnessed by Dhiru (Jimit Trivedi), a 30-something pharmacy delivery man Dattatraya adopts as his sidekick.
Fulfilling Dattatraya’s conditions initially brings the three men closer together, but as they get closer to the heart of Babulal’s unhappiness, Dattatraya’s unorthodox prescriptions threaten to drive a permanent wedge between them.
Director Umesh Shukla’s picturization of Saumya Joshi’s play touches on a number of interesting themes, some of which seem in opposition to one another. Dattatreya demands that Babulal change, but he also wants Babulal to accept people as they are — chiefly Babulal’s absent son, Amol. While he’s busy wishing for a more gratifying relationship with Amol, Babulal ignores the fact that there’s a young man, Dhiru, who’s happy to accompany him on Dattatreya’s quests.
One aspect that could’ve been explored further is the idea that, even though Babulal is himself a grandparent, Dattatreya has sole claim to the maxim “father knows best” so long as he lives. Babulal just mentions it once, grousing about Dattatreya’s luck that his own father died while Dattatreya was young enough to enjoy the perks of being the head of the household. The story offers only two options for parent-child relationships — total deference to the parent or estrangement — and it would’ve been interesting to see if the characters could reach some middle ground.
The comfortable rapport Bachchan and Kapoor have developed after more than four decades of experience working together peeks through in small gestures, like the grin on Babulal’s face as Dattatreya lip-syncs old movie tunes to him. Trivedi fits in perfectly with the veteran duo.
102 Not Out is brief enough never to lose momentum, the story flowing between comedy and drama as it addresses family dynamics that are often times as comical as they are dramatic.
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