2.5 Stars (out of 4)
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A lot happens in Baby, but that’s not necessarily a good thing. A choppy story structure and underdeveloped characters make Baby feel like a TV mini-series shoehorned into movie format.
Writer-director Neeraj Pandey’s broad vision pays dividends in certain ways. Globetrotting Indian counter-terrorist operative Ajay (Akshay Kumar) follows his targets to visually interesting places like Turkey, Nepal, and Saudi Arabia. Ajay’s luckier than his poor boss, Feroz (Danny Denzongpa), who only appears in scenes set in office buildings.
Ajay’s first mission — in which he tracks a rogue special agent to Istanbul — starts the movie on a promising note. Ajay extracts enough information to thwart a bomb blast, and the rogue operative foreshadows future attacks before killing himself.
The attacks are the work of a radical Muslim cleric in Pakistan, Maulana Mohammed Rahman (Rasheed Naz). Ajay must disrupt Maulana’s network — which includes a local recruiter, a jailed militant (Kay Kay Menon), and a corrupt businessman (Sushant Singh) — to get to Maulana.
What makes the plot so jarring is that Ajay’s participation is the only connecting thread between operations. (Feroz coordinates the missions, but he never gets to leave his office.) Ajay is alone on his first mission in Turkey, while his subordinate, Jai (Rana Daggubati), foils the bomb plot in India. New flunkies join Ajay for his next mission, and he gets a female sidekick, Shabana (Taapsee Pannu), for the mission after that. It’s only after the militant escapes from jail that Jai reenters the story, after an absence in real-time of over an hour.
Segmenting the story this way keeps Ajay from forging strong connections with his people, thereby lowering the stakes. Would Ajay care if Jai died? It’s not like Jai is his partner or a trusted friend. He’s just a guy who shows up when called on and disappears when he’s not needed.
Worse still is Ajay’s forced family narrative. He shares two scenes early on with his wife (Madhurima Tuli) and two kids, but the kids are never seen again after that. The wife — whatever her name is — reappears for a spy-movie cliché scene, in which she calls to reminds him about their daughter’s birthday while he’s in the middle of frisking a suspect.
It’s another example of the low stakes for Ajay. His family is never endangered by his job, and he hardly thinks about them. In fact, he’s rarely in any real danger at all. The terrorists don’t realize he’s onto them, so they go about their business until he shows up. If they were tracking him in return, it would’ve raised the tension.
The movie’s lengthy 150-minute runtime also keeps Baby from being a truly thrilling thriller. Though effective early on, Pandey employees the same tension-building camerawork patterns repeatedly, making scenes that should be intense predictable.
Kumar is well-suited to anchor this kind of film. He plays the role straight, allowing Anupam Kher to lighten the mood as a reluctant hacker. Kumar also cedes the movie’s most exciting fight scene to Pannu, who is terrific in her minor role.
Despite the film’s bloated runtime, its villains are woefully underdeveloped. Menon’s character doesn’t have any dialogue after his opening scene, which is a shame given some great non-verbal acting he does during his character’s escape from prison. The cleric Maulana spouts some ideology early on but is likewise mute for most of the rest of the movie.
The silent villains may be a deliberate choice on Pandey’s part. De-emphasizing the terrorist’s ideology brings to the forefront a political opinion expressed by both Feroz and Ajay. Feroz explains to the Prime Minister that, when young Indian Muslims choose to fight for Pakistan, it’s India’s fault for making them feel unwelcome in their own country. That inclusive sentiment is one that any government that values diversity should take to heart.
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Nice one….brilliant performance by all…specially akshay. 10 Out of 10
Kathy, please review I..
I may watch it when it comes out on DVD, Nav.
Hey Kathy,
Well I saw ‘Baby’ today and was satisfied by it. Good to see Akshay Kumar working in some serious stuff and I got to know one thing that Neeraj Pandey,the director has a similar way of telling his stories whether it is ‘A wednesday’ or ‘Special 26’. Uptil now the movie has got one of the highest ratings in IMDB for a Bollywood movie!
Hi, Anirudh! I really enjoyed Special 26, and I hope Pandey goes back to something a little funnier for his next one. If it includes another Taapsee Pannu fight scene, all the better!
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Good review, but two mistakes. Pakistan has never been named in the movie,if i remember correctly. It’s not prime minister who discusses operation with feroz i think it was external affairs minister.
He is planning a biopic of current Indian cricket team captain M.S. Dhoni with Sushant singh rajput as main lead.
You’re right, Mohit. Pandey is careful not to mention Pakistan by name (as if “the enemy” could refer to any other country, LOL). And I love that it’s not the prime minister who quietly approves a secret, extrajudicial assassination expedition to Saudi Arabia…just an external affairs minister played by an actor who looks like Modi! 😉
Went to see this one with so many expectations. In the end, I came out disgruntled. That’s not I expected from Neeraj Pandey.
Too many loopholes, not the least, Kay Kay menon(Bilal) who claim that he did more than Kasab, escaping with such ease from Mumbai police(not to forget the empty Marine drive which is a fantasy for mumbaikars). So called ‘Covert’ operations. Bizzare climax.
Though Akshay’s performance is watchable. Best part of the film was Taapsee’s fight scene.
We are in agreement, Pariksheet. I’d read about the unbelievability of an empty Marine Drive in the middle of the day. Oops!
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Well you must visit this place. *chuckle*
And i guess, the word ‘Pakistan’ was mentioned in the movie couple of times.
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Couldn’t agree with you more. Prompted to scribble my thoughts on the movie as well.
Thanks, NeoAaragorn!
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i watched it today only, rather than going for DBB. but i didnt like this movie.
so many wrong things in the movie.
1. like you pointed the story structure. what was it?? A actual baby wrote the movie or what?
2. villains. Are we supposed to think they are bad? without even knowing what they did?
3. Cheap thrills. whole last half an hour is nothing but cheap thrills. like those in scare jumps in horror movies.
4. family drama.. :/
in the second half so many times i just fast forwarded it.
i like the Feroz’s monologue on India’s failing as a nation not to provide safe and secure environment for the minority.
and the abbas(i guess) egineering kid who turns to akshay to tell about villain and how his friends took him to taufiq guy. i guess they inspired the character form the actual guy who joined ISIS and then flew and returned back to India.
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