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Movies about killer animals are rare in Bollywood, and that lack of familiarity with this particular sub-genre of horror movies is evident in Warning. The movie contains many of the elements required for a successful horror film, but they are organized so inexpertly that Warning is devoid of dramatic tension and scares.
A motley crew of school friends reunite as young adults for what is supposed to be a fun weekend at sea on a luxurious yacht. The group consists of the nerd, Fatty; the long-haired rebel, Aman (Varun Sharma); beautiful and ambitious Gunjan (Madhurima Tuli); sweet Sabina (Manjari Fadnis); her husband, Deepak; their infant daughter, Sarah; Bakshi, the owner of the yacht; and his French girlfriend, Jeanine.
There’s lingering romantic tension within the group. Gunjan and Aman broke up when she left town to start her career. Sabina and Bakshi had wild times together before she settled down and met Deepak. With Bakshi’s attention focused on his former flame — much to Deepak’s frustration — Fatty tries to create some romantic tension of his own with Jeanine.
Through a series of blunders, the group finds themselves stranded in the water next to the boat while baby Sarah snoozes peacefully on board. With no way to get back on the boat — apparently no one bothered to drop the anchor, yet the boat stays conveniently in place by magic — the pals just have to wait there. And wait some more.
While stranding is a perfect scenario for testing the bonds of friendship and setting up some grisly deaths, it happens way too early in the movie. The friends are stuck in the water next to the yacht by the thirty-minute mark, and they quickly run out of ideas for how to get back on the yacht. That leaves another seventy-five minutes of runtime with nothing for the cast to do but bob around in the water.
Plus, it’s hard to create any real tension for the audience when we know that the friends have no option but to wait out whatever trouble comes their way, hoping that someone will come to save them. When Jeanine needs medical attention, pleas for help are futile since all of the useful resources are out of reach on the boat.
Revealing that Jeanine runs into problems won’t be a spoiler to anyone who’s seen a horror film before. Her character is introduced while showering topless aboard the yacht. (Her back is to the camera, so you don’t see anything.) Then she sips champagne while cooking breakfast the next morning. According to the rules of horror movies, Jeanine the Slutty Drunk will be the first character imperiled.
Her suffering provides the perfect opportunity to include some of the T&A one expects from a movie about sexy people in danger. Jeanine’s condition apparently requires her to arch her back so that her fake, bikini-clad breasts protrude from the water. It’s hilarious.
There’s other dubious medical advice in Warning that provokes chuckles. When little Sarah’s screams bellow through the baby monitor Sabina left on deck, Deepak freaks out, fearing that Sarah will choke to death while crying. Uh, that’s not the way things work, Deepak.
Sarah’s crying punctuates the soundtrack for the entire second half of the movie. It is really, really annoying.
What’s most disappointing about Warning is the failure to utilize its two selling points: 3D and sharks. The 3D effects are virtually non-existent, except during a conversation between Bakshi and Sabina in which some books feature extra prominently in the foreground.
Sharks are also largely absent from the movie. They don’t become much of a factor in the story until after the hour mark, and even then, the characters aren’t that concerned about them. The characters are all more worried about baby Sarah, who’s likely suffering from nothing more than a dirty diaper.
Also, the sharks in Warning are easily avoided by swimming to the other side of the boat.
Warning has all the necessary pieces to make a good horror movie, they’re just assembled incorrectly. The novelty factor alone makes Warning worth checking out, but not for the inflated 3D prices charged by theaters.
In terms of innovative themes, Indian Cinema shows some signs of maturity but has a has long way to go when it comes to disaster or horror movies.
The Indian movie industry is just starting to warm to genre films — as opposed to romantic dramas for the whole family — so I’m eager to see what the future holds for disaster and horror flicks, as well as for movies geared toward children. There’s a big audience for that last genre, at least in America. One of my NRI friends uses Bollywood films to reinforce her kids’ Hindi-speaking ability. Movies could be a great language-teaching tool, as well as a source of family-friendly entertainment.
Yes, agree with you! Am curious to know how you developed this deep insight into Bollywood!
All it takes is watching every major Hindi film released theatrically every year for six years — even the really terrible ones! 😉
Appreciate and admire this!
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