Tag Archives: Tinnu Anand

Movie Review: Crazxy (2025)

3 Stars (out of 4)

Watch Crazxy on Amazon Prime

It takes guts to make a movie that is essentially just a guy driving around taking phone calls for ninety minutes, but that’s what writer Girish Kohli did with his feature directorial debut Crazxy. The unconventional thriller works beautifully, until a bizarre sequence renders it mostly unwatchable. Still, you’ve gotta admire its gumption.

Tumbbad‘s Sohum Shah — who also produced Crazxy — stars as the film’s only onscreen character, surgeon Abhimanyu Sood. We meet him as he loads a duffel bag full of something into the trunk of his Range Rover in a parking garage. The gloomy lighting and stark shot-framing let us know that he’s probably not packed for a weekend getaway.

Rather than follow the cinematic trend of flashing back to days or weeks earlier, his loading the trunk is where the story begins. It concludes in about as much time as it takes to finish the film, giving the plot a sense of urgency.

Abhimanyu is on his way to drop off money to get him out of trouble, though we’re not sure what kind of trouble at first. It’s the kind of trouble that takes 5 crore rupees (nearly $600,000) to get out of, apparently. En route, he gets a call from an old man (Tinnu Anand) who claims to have kidnapped Abhimanyu’s 16-year-old daughter Vedica (Unnathi Suranaa). Abhimanyu doesn’t have much of a relationship with the girl, so he wouldn’t know where she is anyway.

We learn more about Abhimanyu through his phone calls, as he tries to figure out what’s going on. His ex-wife Bobby (Nimisha Sajayan) can barely stand to talk to him. His girlfriend (Shilpa Shukla) — whom we only know as “Jaan,” based on her contact name on Abhimanyu’s phone — figures the call is a ploy by his ex to shake him down for money. His boss “White Coat” (Piyush Mishra) is anxious that Abhimanyu will be late to his appointment to drop off the bag of cash.

Further contact with the kidnapper assures Abhimanyu that his daughter really has been taken. The man wants 5 crore rupees — exactly the amount Abhimanyu has on him.

Most movie dads would rush to their daughter’s aid without a second thought, but not Abhimanyu. He’s a good doctor and a terrible father. Before Vedica was born, tests determined that she had Down Syndrome. Bobby didn’t care, but Abhimanyu did. He wanted a “normal” child. Hence their divorce. Is he heartless enough to not save his own teenage daughter?

Shah clearly enjoys playing anti-heroes, as he previously did in Tumbbad. He makes the most of this opportunity to have the camera all to himself. One would think it would get old watching a guy driving around taking calls, but Shah brings out all of Abhimanyu’s internal conflicts and calculations while he cruises around. Top notch voice acting by all of the performers on the other end of the phone definitely makes his job easier. Catchy songs by Vishal Bhardwaj and an evocative score by Jesper Kyd set the mood.

Before we reach the climax, things get gross. I won’t spoil how or why, but I had to stop watching for about 10 minutes, only stealing occasional glances at the subtitles. Even then, I got way more than I bargained for.

This wild sequence knocks points from Crazxy‘s total score, and the ending didn’t work perfectly for me either. But I admire Kohli’s boldness. We’re unlikely to get any other Hindi movies quite like Crazxy this year, and that’s a shame. The industry needs more risk-takers.

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Movie Review: Tere Naal Love Ho Gaya (2012)

3 Stars (out of 4)

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Buy the soundtrack at Amazon

Tere Naal Love Ho Gaya (“I’m in Love with You”) is a funny romantic comedy with quality performances. It took careful planning by director Mandeep Kumar and writer Abhijeet Sandhu to make a movie that seems so effortlessly enjoyable.

Take the efficient and effective opening scene, a song featuring the male lead, Viren (Ritesh Deshmukh). As “Jeene De” plays, Viren smiles and sings along as he goes through his day: rising early to drive his auto-rickshaw, playing with the kids he picks up from school, gratefully stashing his days’ earnings underneath the rickshaw’s seat.

In the span of a few minutes — and while the necessary opening credits roll — the audience learns that Viren is a good guy. He’s happy, polite, thrifty, a hard worker, and he can dance. By the end of the song, we know who the main character is, and we like him.

Viren loses his life savings when Bhatti (Tinnu Anand), the man from whom Viren leases his rickshaw, sells the fleet and upgrades to cars. In an uncharacteristic drunken stupor, Viren crashes the engagement party for Bhatti’s daughter, Mini (Genelia D’Souza).

Mini doesn’t want to marry the rich oaf her father has chosen for her, so she tricks Viren into kidnapping her. He reluctantly agrees to participate when Mini promises to get his money back from her father in the form of ransom. But Viren is so inept at pretending to be a criminal that Mini has to make the ransom demand herself.

Mini’s dynamic personality is irresistible. D’Souza imbues the character with charm, as Mini gets her way without being bossy. Mini takes charge of the phony kidnapping plan to make up for the fact that she has no say in the biggest decision of her life: who she’s going to marry.

Viren isn’t cowed by Mini so much as he is out of his depth. He’s a principled guy who has deliberately chosen to avoid any activities remotely criminal. Since he doesn’t know what he’s doing — and faces prison if he’s caught — he lets Mini run the show. The characters have a nice rapport, undoubtedly helped by the fact that Deshmukh and D’Souza are married in real life.

The fun continues into the second half of the film, as Viren and Mini grow closer and we meet Viren’s family. The story is well-balanced, and dance numbers are spaced appropriately. A wedding number in which Viren and Mini get drunk is a highlight thanks to D’Souza’s overly enthusiastic dancing.

The scenery is gorgeous throughout, whether the action takes place in the fields or in the mountains. Costumes are likewise vibrant and beautiful.

Overall, Tere Naal Ho Love Gaya is a really well-made film and a great example of its genre.

Links

  • Tere Naal Love Ho Gaya at Wikipedia
  • Tere Naal Love Ho Gaya at IMDb