3 Stars (out of 4)

Watch The Mehta Boys on Amazon Prime

Boman Irani makes his directorial debut with the heartfelt family drama The Mehta Boys. The story doesn’t quite support the moral conclusion the film reaches, but it’s still a meaningful movie.

Irani — who co-wrote the film with Birdman co-writer Alexander Dinelaris — stars as Shiv Mehta. At 71 years old and newly widowed, he faces the prospect of leaving his childhood home and moving in with his daughter Anu (Puja Sarup) in Tampa, Florida. Shiv’s not an easygoing guy during the best of circumstances, but these are a lot of big changes all at once.

Flight issues in Mumbai force Anu to fly home alone and for Shiv to spend a couple of days bunking with his estranged son, Amay (Avinash Tiwary). Amay’s dilapidated apartment has a great view but plenty of leaks. Shiv can’t understand why Amay left home just to live in a rundown place, and he’s not shy of voicing that opinion.

Shiv’s unrelenting criticism has left Amay bereft of confidence, which affects him personally and professionally. He’s an architect at a prestigious firm, but he’s too timid to share his own opinions and designs. Even Amay’s boss is starting to wonder why they pay him.

This unplanned co-habitation brings out the worst in Amay and Shiv. Dad acts like a know-it-all, while son treats his father like he’s senile. Amay’s kind girlfriend Zara (Shreya Chaudhry) sees the dysfunctional dynamic first-hand and is not impressed.

The Mehta Boys does a lovely job depicting just how complicated the relationships between parents and their adult children can be, clouded as they are by entrenched habits and festering resentment. No one in the film is on their best behavior. While the characters are not exactly sympathetic, they are very relatable, and Irani and Tiwary capture that in their performances.

There’s a tendency in a lot of stories about this relationship dynamic that frame negative parenting tactics as inherently borne of love, and The Mehta Boys takes that approach as well. Based on what is shown in the film, I’m not sure that’s a fair conclusion to draw from Shiv’s constant doubting of Amay’s competence and judgment. It looks more like ego and pride on Shiv’s part, mixed with his own insecurities. His “never apologize” ethos doesn’t leave much room for caring about other’s feelings.

It’s okay to admit that sometimes parents raise their kids by instincts learned in their own dysfunctional homes, or taught by parents living under very different financial circumstances. Add to that the inflexibility of thought that sometimes comes with age, and you wind up with hurtful behaviors done habitually, without any real thought behind them at all.

In those circumstances, maybe the lesson Amay needs to learn is that his Shiv’s distrust is not based on an accurate assessment of Amay’s abilities. He’s put in the work to become a good architect at a firm that acknowledges his skills. If his dad doesn’t get that, that’s on him.

I’m forgiving of the hopeful conclusion Irani and Dinelaris reach in The Mehta Boys if only because we all want to believe it’s true, especially audiences looking for something uplifting. Irani is a good filmmaker, so here’s hoping he’s got more stories in him.

Links

• The Mehta Boys at Wikipedia
• The Mehta Boys at IMDb

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