Tag Archives: Shah Shahid

Series Review: Aranyak (2021)

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3 Stars (out of 4)

Watch Aranyak on Netflix

Aranyak is Netflix India’s answer to Twin Peaks. With a compelling story and right-sized episodes, the supernatural (or is it?) murder mystery is made to be binged.

Aranyak takes place in the perpetually overcast fictional mountain town of Sironah, surrounded by a dense forest. Police officer Angad Malik (Parambrata Chattopadhyay) arrives to take over duties from Kasturi Dogra (Raveena Tandon), who’s taking a leave of absence from the force to deal with family issues.

On the day Angad arrives, a French tourist named Julie (Breshna Khan) reports her teenage daughter Aimee (Anna Ador) missing. Angad and Kasturi bicker over who should lead the case until Aimee’s body is found hanged in a tree. The cops agree to work together, putting Kasturi’s leave on hold.

Aimee’s death hits Sironah hard because of its similarities to a series of murders 19 years earlier that left over a dozen young women dead and the residents of the town emotionally scarred — none more so than Kasturi’s father-in-law Mahadev (Ashutosh Rana). He led the investigation into the murders but was unable to find the killer known as the “leopard man.”

The leopard man is a figure of local myth: a murderous beast and also the steward of a crop of “mystery mushrooms” that cure disease, but at a grievous cost to those who consume them. Whether the killer from 19 years ago was a man or a monster remains up for debate in Sironah.

One curious fact about the new crime is that all the rich and politically-connected residents in town seem to know that something bad happened to Aimee before the police do. Local politician Jagdamba (Meghna Malik) and sketchy rich guy Kuber Manhas (Zakir Hussain) try to leverage that information to their advantage.

There are many more characters and possible suspects. The story — written by Rohan Sippy and Charudutt Acharya — does a nice job of keeping all of them somehow connected to the crimes of the present or past. Each of the series’ eight episodes runs about 40 minutes, giving enough time to flesh out characters and their motivations without getting bogged down in backstory.

The runtime gives enough space to deal with the themes that Aranyak shares with Twin Peaks: collective trauma, whether evil exists as an independent entity or whether it’s simply individual moral corruption, and how “good” people reckon with this evil in their midst.

One of the more interesting characters is the politician Jagdamba. Her position is in jeopardy because her young adult son Kanti (Tejaswi Dev Chaudhary) was previously convicted of rape. She wants to protect him, but she also believes that he committed the current crime and fears that he might do it again. She’s concerned not just because he’s a political liability, but because she doesn’t want him to hurt anyone else — yet she’s not sure how to stop him. She loves her son, but he might be irredeemable.

This subplot fits with the show’s focus on the dangers faced by women, be it rape, murder, roofies, or cyberstalking. The stakes are raised for Kasturi because she has a daughter, Nutan (Tanseesha Joshi), who is the same age as Aimee. One of the commonalities between Aimee’s death and the murders from 19 years ago is that the police weren’t able to prevent any of them, only respond to them after the fact.

Aranyak has a few glaring flaws. Kasturi does stupid things that put people in danger, and she’s never heard of the jugular vein. Action scenes in the final episode defy the laws of space-time. The finale’s closing shot is sincerely crazy. The whole reason I watched the show was because Shah Shahid of the Split Screen Podcast warned me that the show’s final seconds were nuts, and he was right.

That said, the story build-up to that point is solid enough to make time invested in Aranyak worthwhile. Consistently good performances help, too, with special acknowledgement of Joshi as Nutan and Wishveash Sharkholi as Bunty, her boyfriend. Though the story feels complete as is, I’m very curious to see where Season 2 would go, based on the finale’s closing seconds.

Links

Streaming Video News: February 4, 2022

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I updated my list of Bollywood movies on Netflix with today’s premiere of the Hindi drama Looop Lapeta, a remake of the 1998 German thriller Run Lola Run.

A number of Indian (mostly Hindi) movies are set to expire from Netflix in the next few weeks. Here’s what’s on the way out:

Bonus for those of you racing to catch Rocky Handsome before it departs on the 17th: Shah Shahid and I recorded a podcast episode comparing Rocky Handsome to the movie it’s based on, The Man From Nowhere. Spoiler: the girl in Rocky Handsome may have driven me a little crazy. [Update: Rocky Handsome is already gone. Thanks to reader Ryan G for noticing!]

I also updated my list of Bollywood movies on Hulu with yesterday’s debut of the new Hindi Hotstar Original series The Great Indian Murder (also available in Bengali, Kannada, Malayalam, Marathi, Tamil, and Telugu).

Last but not least, my list of Bollywood movies on Amazon Prime was updated to include this week’s premiere of the Kannada film One Cut Two Cut (also available in 4K UHD). Have a great weekend!

[Disclaimer: my Amazon links include an affiliate tag, and I may earn a commission on purchases made via those links. Thanks for helping to support this website!]

Access Bollywood’s 10th Anniversary

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Access Bollywood turns ten today! I can hardly believe it. The site’s come a long way since I posted my first review on September 13, 2008 — Salman Khan’s God Tussi Great Ho.

I’m blown away by how much the site has grown over the years. In its first full year of operation (2009), the site was viewed 3,719 times. Fast forward to 2017, we finally hit the milestone of 1 million views in a year, ending the year with 1,057,499 hits. I’m proud to say that we surpassed last year’s view total on September 1, with over 1.1 million hits so far in 2018. We had our busiest day ever on September 8 — with 8,749 views in a single day!

Access Bollywood originated offline as a newspaper column in 2007. I spotted the Naperville Sun’s movie critic at the time, Josh Larsen, at an event and pitched him an idea: “No Chicago newspapers review Hindi movies. Can I do it?” Josh and his editor, Wendy Fox Weber, kindly agreed, and Access Bollywood was born (Josh came up with the name). I took my reviews online before the column wrapped in late 2008, and the rest is history.

The site has been a great vehicle to share my enthusiasm for Hindi films and hopefully help longtime fans and newcomers find movies they’d be interested in, whether in theaters or on streaming. It’s also connected me with so many lovely people who share my interests, many of whom have become good friends — be they across the world like Parth and Keyur in India and Sammy in New Zealand, or close to home like Melanie, who lives a few miles away.

One of the greatest gifts the site has given me is my friendship with Shah Shahid. What began with us trading comments on each other’s websites developed into the Split Screen Podcast, where Shah allows me to vent about things I don’t like, including the girl in Rocky Handsome and the kid in Little Boy. More importantly, Shah’s been a kind, funny, and wonderful friend, and I’m lucky to know him.

The unsung hero behind Access Bollywood is my husband, Greg. He pitches in as the site’s editor, graphic designer, tech expert, and occasional photographer. More importantly, he’s the one with a job that has health insurance and a steady paycheck, stuff that makes my life possible. He’s the best husband anyone could ask for.

Thank you very much to everyone over the years who has contributed money to Access Bollywood via PayPal. As opposed to ad revenue and affiliate links, it’s a direct source of income for me, so every contribution is greatly appreciated.

And thanks to all of you who’ve visited the site over the years, whether you’ve left a comment, tweeted to me, or even if you’ve just dropped in to see what’s new on the Netflix list. We’re exploring new ideas for the site, including the possibility of page sponsorships in place of ads, so stay tuned.

Yours,
Kathy Gibson

 

Split Screen Podcast, Episode 44: The Salman Khan Remake of ‘Little Boy’

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Shah Shahid and I are kind of obsessed with Tubelight, the Bollywood remake of Little Boy. It’s probably because writer-director Kabir Khan cast Salman Khan in a role originally played by an 8-year-old. First Shah and I compared the trailers of both movies, and now we review the films themselves in Episode 44 of the Split Screen Podcast. Here’s a teaser: we sorta like Tubelight. Also, I call a child an “asshole” in the episode.

You can subscribe to the Split Screen Podcast at iTunes, or you can listen to Episode 44 in your browser on this page at Audioboom. Find links to other podcast episodes and Shah’s reviews at his website, Blank Page Beatdown. I’m a guest on the following episodes of the Split Screen Podcast:

Streaming Video News: June 30, 2018

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I updated my list of Bollywood movies at Amazon Prime with a bunch of new titles added while I was on vacation (visiting my wonderful friend Shah Shahid!). Several 2018 theatrical releases are now available for streaming, including the Marathi title Ranangan, the Telugu films Touch Chesi Chudu, Bhaagamathie, and Mahanati, as well as its Tamil version Nadigaiyar Thaligam. 2017’s Fukrey Returns is also available, but it’s not very good.

Things were quiet at Netflix while I was away, and most of the updates I made to my page involved updating expiration dates. Netflix adds new titles on the first day of each month, so we’ll see what happens tomorrow.

Split Screen Podcast, Episode 33: The Long Awaited ‘Padmaavat’ Movie Review

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My friend Shah Shahid graciously invited me back to the Split Screen Podcast to review Padmaavat, deviating from our usual remake comparison format to tackle this controversial new film. In Episode 33, we don’t discuss the protests leading up to the film’s release but focus instead on the good, the bad, and the problematic elements of the movie itself. Shah makes some great points about the way directors lead audiences toward certain emotional reactions, and we debate whether or not that was properly executed in Padmaavat.

You can subscribe to the Split Screen Podcast at iTunes, or you can listen to Episode 33 in your browser on this page at Audioboom. Find links to other podcast episodes and Shah’s reviews at his website, Blank Page Beatdown. I’m a guest on the following episodes of the Split Screen Podcast:

Split Screen Podcast, Episode 30: The Tubelight Trailer vs. The Little Boy Trailer

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In a first for the Split Screen Podcast, Shah Shahid and I spent an entire episode comparing two movie trailers! That’s because the trailer for Salman Khan’s upcoming flick Tubelight is almost beat-for-beat the same as the trailer for the movie on which it’s based: Little Boy. Check out the two trailers at the bottom of this post for yourself, then listen to the podcast to hear our thoughts.

You can subscribe to the Split Screen Podcast at iTunes, or you can listen to Episode 30 in your browser on this page at Shah’s website, Blank Page Beatdown. Every episode of the Split Screen Podcast can be found here. I’m featured in the following episodes:

Split Screen Podcast, Episode 28: The “Dulhania” Franchise

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At long last, Shah Shahid and I reunite for another episode of the Split Screen Podcast, this time comparing the films Humpty Sharma Ki Dulhania and Badrinath Ki Dulhania. We were inspired to tackle the “Dulhania” franchise in Episode 28 because of how wildly the two films differ in their representations of gender equality in romantic relationships. In short, everything great about the main characters and their relationship in Humpty goes straight down the crapper in Badrinath. Shah and I also discuss what differentiates Bollywood franchises from true sequels.

You can subscribe to the Split Screen Podcast at iTunes, or you can listen to Episode 28 in your browser on this page at Shah’s website, Blank Page Beatdown. Every episode of the Split Screen Podcast can be found here, including Shah’s take on the recent Hollywood reboot of Power Rangers. I’m featured in the following episodes:

Split Screen Podcast, Episode 12: Rocky Handsome vs. The Man From Nowhere

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The Split Screen Podcast is back! In Episode 12, show host Shah Shahid and I initially try to view Rocky Handsome through the eyes of someone who’s never seen the South Korean movie on which it’s based, but the gloves come off once we start comparing Rocky to The Man From Nowhere, one of my favorite action films. As our pal Parth Gandhi tweeted:  “Won Bin >>>> John Abraham.”

You can subscribe to the Split Screen Podcast at iTunes, or you can listen to Episode 12 in your browser on this page at Shah’s website, Blank Page Beatdown. Every episode of the Split Screen Podcast can be found here. I’m featured in the following episodes:

Split Screen Podcast, Episode 10: Jazbaa vs. Seven Days

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Episode 10 of the Split Screen Podcast is now live. In this episode, show host Shah Shahid and I compare Aishwarya Rai Bachchan’s 2015 Bollywood thriller Jazbaa to its inspiration, the Korean film Seven Days. Shah and I agree that Seven Days is the superior movie, though Shah is a little more forgiving of Jazbaa director Sanjay Gupta’s quirks than I am.

You can subscribe to the Split Screen Podcast at iTunes, or you can listen to the Episode 10 in your browser on this page at Shah’s website, Blank Page Beatdown. Other episodes that feature my Midwestern-accented commentary include Episode 8 (Warrior vs. Brothers), Episode 2 (Knight and Day vs. Bang Bang), Episode 1 (Memento vs. Ghajini), and the podcast’s introductory Episode 0. All of the episodes of the Split Screen Podcast can be found here. Enjoy!