Tag Archives: Rohan Sippy

Series Review: Aranyak (2021)

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3 Stars (out of 4)

Watch Aranyak on Netflix

Aranyak is Netflix India’s answer to Twin Peaks. With a compelling story and right-sized episodes, the supernatural (or is it?) murder mystery is made to be binged.

Aranyak takes place in the perpetually overcast fictional mountain town of Sironah, surrounded by a dense forest. Police officer Angad Malik (Parambrata Chattopadhyay) arrives to take over duties from Kasturi Dogra (Raveena Tandon), who’s taking a leave of absence from the force to deal with family issues.

On the day Angad arrives, a French tourist named Julie (Breshna Khan) reports her teenage daughter Aimee (Anna Ador) missing. Angad and Kasturi bicker over who should lead the case until Aimee’s body is found hanged in a tree. The cops agree to work together, putting Kasturi’s leave on hold.

Aimee’s death hits Sironah hard because of its similarities to a series of murders 19 years earlier that left over a dozen young women dead and the residents of the town emotionally scarred — none more so than Kasturi’s father-in-law Mahadev (Ashutosh Rana). He led the investigation into the murders but was unable to find the killer known as the “leopard man.”

The leopard man is a figure of local myth: a murderous beast and also the steward of a crop of “mystery mushrooms” that cure disease, but at a grievous cost to those who consume them. Whether the killer from 19 years ago was a man or a monster remains up for debate in Sironah.

One curious fact about the new crime is that all the rich and politically-connected residents in town seem to know that something bad happened to Aimee before the police do. Local politician Jagdamba (Meghna Malik) and sketchy rich guy Kuber Manhas (Zakir Hussain) try to leverage that information to their advantage.

There are many more characters and possible suspects. The story — written by Rohan Sippy and Charudutt Acharya — does a nice job of keeping all of them somehow connected to the crimes of the present or past. Each of the series’ eight episodes runs about 40 minutes, giving enough time to flesh out characters and their motivations without getting bogged down in backstory.

The runtime gives enough space to deal with the themes that Aranyak shares with Twin Peaks: collective trauma, whether evil exists as an independent entity or whether it’s simply individual moral corruption, and how “good” people reckon with this evil in their midst.

One of the more interesting characters is the politician Jagdamba. Her position is in jeopardy because her young adult son Kanti (Tejaswi Dev Chaudhary) was previously convicted of rape. She wants to protect him, but she also believes that he committed the current crime and fears that he might do it again. She’s concerned not just because he’s a political liability, but because she doesn’t want him to hurt anyone else — yet she’s not sure how to stop him. She loves her son, but he might be irredeemable.

This subplot fits with the show’s focus on the dangers faced by women, be it rape, murder, roofies, or cyberstalking. The stakes are raised for Kasturi because she has a daughter, Nutan (Tanseesha Joshi), who is the same age as Aimee. One of the commonalities between Aimee’s death and the murders from 19 years ago is that the police weren’t able to prevent any of them, only respond to them after the fact.

Aranyak has a few glaring flaws. Kasturi does stupid things that put people in danger, and she’s never heard of the jugular vein. Action scenes in the final episode defy the laws of space-time. The finale’s closing shot is sincerely crazy. The whole reason I watched the show was because Shah Shahid of the Split Screen Podcast warned me that the show’s final seconds were nuts, and he was right.

That said, the story build-up to that point is solid enough to make time invested in Aranyak worthwhile. Consistently good performances help, too, with special acknowledgement of Joshi as Nutan and Wishveash Sharkholi as Bunty, her boyfriend. Though the story feels complete as is, I’m very curious to see where Season 2 would go, based on the finale’s closing seconds.

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Movie Review: Bluffmaster! (2005)

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3 Stars (out of 4)

Buy or rent the movie at iTunes
Buy the DVD at Amazon
Buy the soundtrack at Amazon

After being disappointed by Dum Maaro Dum, I decided to check out the first collaboration between Abhishek Bachchan and director Rohan Sippy: Bluffmaster! The pair’s first effort is clearly the superior of the two.

Bachchan stars in Bluffmaster! as conman Roy Kapoor. His heists have netted him loads of cash, and he has a sweet girlfriend named Simi (Priyanka Chopra) who thinks he’s a stockbroker. Simi learns the truth about him when a movie producer Roy conned shows up at their wedding.

Six months later, as Roy mourns his failed relationship with Simi, he watches a pair of small-time con artists trick a doctor out of his wallet. Roy retrieves the wallet and earns the friendship of the doctor, Bhalerao (Boman Irani). One of the cons, Dittu (Ritesh Deshmukh) is so impressed with Roy’s skills that he asks to become Roy’s student.

While Roy contemplates Dittu’s offer, he begins experiencing blackouts. Dr. Bhalerao discovers an inoperable brain tumor and gives Roy just months to live. Given Roy’s history of untruths, Simi assumes Roy’s brain tumor story is a trick and slams the door on him.

Dittu, unaware of Roy’s condition, explains that a prominent hotelier tricked his father out of his life savings. Roy decides to spend the little time he has left helping Dittu get his father’s money back. It’s the first time in Roy’s life that he’s ever put someone else’s needs above his own.

What distinguishes Bluffmaster! from Dum Maaro Dum is the former’s superior plot structure. While Dum Maaro Dum is mired in flashbacks and sideplots, Bluffmaster! moves forward at a steady clip. Just as it appears Roy may have a chance to win Simi back after all, his scheme with Dittu becomes more complicated than he expected. All the while, the threat of imminent death hangs over Roy’s head.

Bluffmaster! is based on the Argentine movie Nine Queens, which was also remade in America as Criminal. Additionally, Bluffmaster! shares similarities with Hollywood films like The Game and Matchstick Men. All of these movies directly or indirectly supply the template for Bluffmaster!. Meticulous continuity is the only way to make such a complex story work, and it does so in Sippy’s sophomore directorial effort.

The acting is uniformly good. Bachchan brings charm to a character who is initially a selfish crook. Irani is stellar as an elder who sees potential in Roy and has great affection for him. Chopra and Deshmukh are solid as the skeptic and the sidekick, respectively.

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